Variations on the theme of re-birth

January 14, 2009 at 1:16 am Leave a comment

Clive Gerada is a Malta-based artist who has just published an exhibition called “Unrealized” on FaceBook

I want to share one of Clive’s pictures from the show here, as it rings a bell for us.  Strikes a familiar note.



Clive Gerada shows in “Unrealized” a series of selectively masked portraits.  His credits hint that he knows all of the characters he has portrayed. His notes say “The bare thought of “Unemployment” has given me the idea of creating a series of 13 “Unfinished” portraits, which resemble the human being when s/he feels unrealized or incompleted, or unable to fulfill his wishes to fulfill himself as a human being.”

My take on this is that Gerada refuses to give in to a spirit of malaise. Rather, he examines the feelings of in-completion by a reckoning based on “I am what I do” or identification of one’s worth being inextricably tied to one’s occupation, job description, etc.

By taking a closer look at the ‘condition’, the artist affirms his own ’employment’, is the working artist plying his trade in a very public way.

"Slave" by Michaelangelo

Photo by Natalia

The concept of a figure struggling to free itself from the confines of the medium (the ‘condition’) has been around for a long time. Michaelangelo expressed it vividly in his ‘Slave” sculptures where he shows us the figure struggling to free itself from the inert sculptor’s stone.

The images here struck me personally as a metaphor for starting a new era in one’s life, with blind spots and information gaps that can seem daunting at first.  You have to gather your wits about you and tackle the challenges as they come up.

As with any creative, passionate act, all the effort and energy that goes into the construction of a new web-site can be seen as pushing of the envelope, stretching in all directions to finally arrive at a certain place where you feel fully employed, fully engaged and on fire with enthusiasm!


Entry filed under: Skyaak R and D. Tags: , , , , , , , , , , , , , , , , , , , , , , .

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